By John A. Barry And Bill Carmel
E-mail John A. Barry And Bill Carmel
About this blog: John Barry is the creator of trAction Painting, a process/performance genre in which he applies paint to large surfaces with bicycles, roller skates, and other wheeled conveyances. With Bill Carmel and other associates, he has bro...
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About this blog: John Barry is the creator of trAction Painting, a process/performance genre in which he applies paint to large surfaces with bicycles, roller skates, and other wheeled conveyances. With Bill Carmel and other associates, he has brought trAction Painting events to local schools and summer camps. He also creates visual puns. His works are included in several private collections. John has authored/coauthored a dozen books, including Technobabble and Sunburst: The Ascent of Sun Microsystems. John can be contacted at jobarry33@comcast.net or 925-918-7882.
Bill Carmel has 35 years' experience as a professional artist. His fine art paintings, sculptures, and designs are included in private, corporate, and public art collections in the United States, Europe, and Australia. After teaching at Humboldt State University and Southern Illinois University, he returned to the Bay Area, where he remains active in the arts by serving as a co-curator for the Lamorinda Arts Council's Orinda Gallery and by exhibiting throughout the Bay Area. Bill reviews exhibits at SFMOMA, the De Young and Palace of Fine Arts museums, and other Bay Area exhibition venues. Bill can be contacted at billcarmel3@yahoo.com.
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The last day of camp, and the kids get to see their work behind the work. Once they have pulled off all the tape, they see the geometric figures they created the day before. Depending on where coverage concentrated on day 3, some figures are more distinct that others. Edges of those that were surrounded by pastels pop through more noticeably. Those that paint partially bypassed are less sharply delineated. One equilateral triangle gets almost no paint around the outside edges, but the interior is filled in and has several other colors crisscrossing it. If we'd had more time, the kids could have laid down more paint layers and the figures would have been more sharply defined along the edges. But from an educational perspective, this effect is more interesting and goes beyond geometry. It highlights layers, dimensionality, perspective, and negative vs. positive space.
Finding the tape beneath is relatively easy as its slick surface glistens in oblique light. The kids return to the figures they constructed and start stripping. I ask them to pull the tape off as carefully as they can and carefully affix it to a piece of thin flooring-underlay plywood. Pastels on the tape blend in with the plywood's neutral hues. My plan is to remove the tape later and reassemble it in a more composed manner. But it turns out to be difficult to extract intact from the plywood, and the placement is pretty good from a compositional standpoint. So I'll place a few remaining pieces of tape and have a nice collage, credited?like the painting?to the kids.
The project's final activity is signing the painting. Given that it will eventually be split into three canvases, the camper-artists sign each one. With management's permission, one will hang in the large homework room of the apartment complex where the painting was created. Two will go to Contra Costa Interfaith Housing, or I may keep one for my portfolio.
Going Forward
This is the fourth trAction Painting event we have done in a year, involving dozens of students. Our goal is to take it well beyond what we as a small group can accomplish and bring it to much wider audiences. That goal will be my focus in the foreseeable future, although I do have a project planned for next month. Instead of helping young students create a work of art, I will shepherd a group of mainly older adults through the process of making a trAction painting.
Should be interesting, but probably not nearly as fast-paced.